doodling like a rolling stone

Bob Dylan, the poet-singer-songwriter of the Baby Boom generation, in his 1965 hit, Like a Rolling Stone, asks plaintively:

How does it feel… how does it feel… to be without a home… like a complete unknown… like a rolling stone?

Between each of the song’s four verses, comes this haunting refrain—pointed, probing and challenging. The song references societal expectations of the 1950s and 60s, which may no longer carry quite the sting it did then; nonetheless, the refrain lives on timelessly in the Boomer Generation—invincible in 1960—not so much in 2013.

We are aging…sometimes gracefully, sometimes awkwardly. How does it feel and what does it all mean as we roll along toward the once, unthinkable senior citizen horizon? I am not a true Boomer, just an honorary one due to some life events that put me back a few years, but I have a good Boomer friend who wrote an essay for this blog about her experience of aging and transitioning. It comes complete with a graphic she calls a doodle.

April 15, 2013 • How it feels and what it means…

There’s a little ditty we used to sing as kids: Head and shoulder, knees and toes, knees and toes (repeat) while touching each of these body parts as a form of exercise. Now, in my senior years, it seems that there is a problem with each of these (maybe not my toes, but my feet). Memory is fading, can’t hook my bra in back due to bursitis and tendonitis in my shoulder, old knee injuries have been flaring up, and plantar fasciitis causes pain when I walk.  I was feeling old. As a former dancer, these physical losses take on a lot of significance.

Our church made plans to offer a grief recovery workshop starting late March by a specialist in that field and I was considering if I should participate to process my grief around aging. However, it was a ten-week commitment with homework assignments and I questioned whether I had the where-with-all to do the work.

I learned of Sybil MacBeth’s book, Praying in Color, from a friend and presented a short segment on February 23 during a weekend Lenten retreat at my church, where we all tried our hand at this form of prayer. I decided to use this method of spontaneous doodling with words and color as a process of discernment, but it became clear that I wouldn’t get my answer in 20 minutes.

Basically it sat there in my journal until a women’s retreat I attended in Santa Fe the following month. During a movement ritual I needed to sit down because my knee was complaining and I began feeling sorry for myself again because I could no longer move as freely as I once did. As we went around the circle sharing why we were there, a huge realization dawned on me. Seven years ago on March 1, 2006 I had a hysterectomy because various tests and scans pointed to probable ovarian cancer. As it turned out I did not have cancer, but if I had, I would not even be at this retreat because I would no longer be alive, as life expectancy with ovarian cancer usually does not exceed five years.

The next two nights I continued with the doodle, noting that I could be dead, but I wasn’t and asking why. The second night brought it to a near completion, but only after participating in a craft project with the group. In the afternoon we had walked out on the high-desert land to each collect sticks or a piece of weathered wood to create a “Spirit Doll.” There was an array of beads, feathers, ribbon, fabric, glue, wire…you name it…available to dress our wood into something that resembled…well, some sort of doll, I guess. I immediately went into a familiar insecurity, comparing myself to everyone else who would create something profound, more meaningful, and just plain better than anything I could do. So, with a slightly rebellious attitude, I decided I would create an alter ego. Using part of a pink boa around her torso, pink feathers in her hair, which was actually sagebrush, and sparkly netting for a skirt I called her “my lady of the night” who stayed awake nights for reasons different than my insomnia-ridden ones. With a few added doo-dads she was sufficiently garish and I felt satisfied.

Back in my room the doodle grew. Of course there was much more happening in my thoughts and emotions than appear on the page but it is a good summary. And what I also realized was that I had created something meaningful in the doll; that in her flamboyant attire she represented not what I had set out to create but rather a celebration of life! I finally had a clear answer to the question I had posed several weeks earlier. My conclusion: Rather than grieve my losses, I need to celebrate the life that is still before me.

re-drawing sacred circles

Drawing Sacred Circles transformed: the story in three parts:

Part I • The Protestant Reformation of the 16^th century rejected religious imagery as being idolatrous—the baby was thrown out with the bath water. Five hundred years later, the baby struggles to make a come back, crawling inch by inch over ideologically traditional terrain looking for water in which to bathe away years of neglect.

Part II • Despite attractive altar flowers and holy season decor, much of what greeted me when I returned to the church after being gone nearly 30 years, seemed trite, contrived and lacking in a sense of spiritual mystery. I was unmoved and wanted to see visual art taking its place as a significant element of worship equal to music. Although there was some movement afoot in this area, centuries of visual deprivation seems to have left a gap in terms of spiritual nurturance.

Part III • I began introducing liturgically oriented art forms into the church I was attending. My efforts were not an immediate home run. Sadly, thanks to the esoteric quality of modern and contemporary art, many people distrust their own visual sensitivity. (The world is turning so fast…we see without knowing and know without seeing.)

In 2010, I started Drawing Sacred Circles, a blog where I could present visual art as a creative process inherent in human beings—circular and sacred—whether designed for church/synagogue/mosque worship, gallery viewing or personal enjoyment. I sought to give form to this view by keeping two separate, yet parallel archives—liturgical art under the heading, Worship Circles and personal art under the heading, Meditation Circles.

Having spent considerable time presenting art in this manner, it’s time for these categories to meld into an inclusive celebration of life expressed through any and every art form, at any and all levels of accomplishment, whether professional or amateur.

“The practice of art isn’t to make a living. It’s to make your soul grow.”
Kurt Vonnegut, Man Without a Country

I like the sound of that…it’s all about soul and spirit. We engage in the arts because something within wants to reach higher and go deeper  all the days of our lives. This kind of growing is at the spiritual core of doctrine, creed and liturgy. When the creative thing we do reaches another soul, a connective circle is made. Connective circles complete and make sacred, the artful process. How and why we do this soul-growing thing through the arts is the nexus and raison d’etre of Drawing Sacred Circles...take a look…subscribe.

Your comments and suggestions for the Drawing Sacred Circles blog are
welcome—here in Comments or there in Write to me.

looking backward / going forward

Every now and again an old friend or acquaintance will come to mind and I wonder what they are doing now…where they are. Sometimes I Google to find out. Maybe it’s a way of measuring the length of my days in years? Some time ago I found an artist friend through Facebook that I’d known a dozen years ago and wrote about the encounter in my June 13, 2012 post, art then / art now. A few weeks ago I reconnected with another friend through Facebook that I’d known in the glorious, early 1970s (when some of us were still young and others, not yet born). That was great fun.

Last week…in a more serious mood…I looked for a person I’d known six years ago in a cancer support group. I’d been thinking about him for a while. I wanted to thank him for all the invaluable help he’d given me—help that changed the course of my recovery for the better. We both have a form of incurable lymphoma that can capriciously become active or lie inactive at will. I’ve been in remission for five years and wanted to know how he was. I Googled him, and found his name in connection with a cancer support group’s phone listing. I called and was delighted to find that he is a survivor and continuing with his cancer support mission. It felt good to send a message of thanks and affirmation. Many cancer survivors like to pay it forward, including me.

A few days ago, I thought about two persons I’d known from my days in the art world.  Despite that association ending badly, I Googled them hoping to find an avenue for constructive reconnection. To my dismay, I found pages and pages of articles linking them and the gallery to fraudulent misappropriation of federal grant funds from 2004-10. I was shocked and wanted to know what had happened. I began reading the articles. When I got to the FBI Press Release dated December 14, 2011— what I considered the most reliable—I stopped to take stock. My partner and I had known these women for many years. Until my last show in their gallery in 2002, we had considered them close friends. The exhibition—Inheritance: art and images beyond a silenced genocide—was a production showcasing Armenian-American artists and the Armenian people. It was nearly a year’s work and a major undertaking for me as artist, curator and producer.

A few weeks before the exhibition opened, our tax preparer urged us to ask the two women for an accounting of the money contributions that had been donated toward funding the show. Asking for an accounting touched off a firestorm of angry accusations toward us, and threats to cancel the show, which put me in a state of ongoing anxiety for the two months of the show’s run in the gallery. Naively, we assumed the contributions that came in from our contacts were earmarked and set aside. We had virtually no understanding of non-profit gallery operations at that time, and no idea of the potential threat this request to the gallery directors would be.

Historically, the gallery had been an important outreach to the community and an alternative for rising artists to the traditional, market-based gallery system. I do not know how the current situation happened, when, or why it happened. I only know my own experience in what would be my last show there. It had been my labor of love. We were fortunate to receive in-kind donations that included a four-color catalog, marketing/advertising help and a marvelous array of catered, Armenian food and drink for the opening reception.

Everything was in order, but the enmity that ensued—the demands and constant threats to close the show at a moment’s notice made a basket case of me for most of that time. Trust was broken on all sides. What had been friendship for many years became a battleground and a living hell. I didn’t understand it then and mourn the emptiness of it all now. I am sorry to have lost the friendship we had with these two very interesting women, but in light of this new information I am thankful to be on this side of current events…thankful…but still sad to have all that collateral damage sitting in the roadway of my past. I cannot think of it without great regret for relational carelessness and wasted time.

Looking back, I remember the government shutdowns of arts funding hitting the small enterprises hardest. I am not excusing anyone or anything, merely seeing two sides of what has become the vanishing coin of the power-elite. I have compassion for these two people, regardless of circumstances, because I knew them at their sincere best…maybe not as deeply as I’d thought, but well enough. We are all looking for our way…our path in life. I am sorry about detours and sink holes and broken pavement. I do not know where these women are today, or how they are coping. There is nothing online past December 2011, so I assume the allegations are still pending. I am a bit of an idealist. I love resolution and reconciliation. I would like that with these two, but I dare not dream of it. I don’t really know how to swim with the bigger fish and my skin has not yet hardened. ~¿

Waiting

cats ‘n dogs love food

Today, I want to post a couple of simple blessings to bring smiles on a cold winter day.  For dog lovers, a YouTube doggie video compliments of klaatu42 . Enjoy!

Speaking of Cats…here is one for cat lovers originally posted (in part) on my Facebook page:

I am trying to work. Bella thinks I need a break. I haven’t even started, Bel. Please get off my key board. (What I will have to do in about 10 minutes is “put her to bed”. Really! I’m not kidding. Oy, vey! She is now laying across my left arm, making it difficult to type accurately. She just decided I’m not worth waiting on and left. Bless her.

By 1:30 P.M. Bella’s brother Ben awakes from his morning slumber and stretches out in all his princely glory. “It is time for lunch,” he says and proceeds to set himself between me and the keyboard much as his sister did this morning. He is much bigger than dainty Bella. No matter his tricks, I know how to open the fridge and he doesn’t. Lunch is always 3:00/3:30. Ah, he sees a bird outside the window…off he goes.

Or so I thought… When I closed down the computer and got up to leave the studio, there he was, under my desk, waiting for me to get the message and go down to the kitchen. In fact, both of them were quietly waiting, Ben under the desk and Bella at the doorway. When I rose from my chair, both of them got excited and ran ahead to the kitchen. But it was only 2:00. They waited patiently for about 5 minutes. These cats are smart. They aren’t going to waste energy mewing and fussing…no. They chose their spots to wait it out and I chose mine.

Doggone it! I couldn’t manage the last 5 minutes. They got their lunch at 2:55. If there is reincarnation, I want to come back a cat and live with a push-over like me. Of course, I will be well behaved, like Bella and Bennie.

hornet’s nest of good intentions

Imagine a situation that is simple enough if kept to the surface and dealt with as is, but it has legs, roots that go deep into the ground of your being. It could be work oriented, family oriented, school or church oriented…something that is private. You’ve inadvertently lost control of that privacy and now there are people trying to help who don’t know the whole story. You don’t want those roots made public, but with each attempt from loved ones to help, comfort, aid…the roots become more and more exposed, igniting fire-stories in your memory bank that cause more distress, not less. You try to keep it simple…to say more will be overwhelming for everyone…you try to graciously say just enough, but not so much that the exposed roots cause you, or anyone else pain. Finally the effort becomes muddled and confusing between yourself and those with loving intentions. You begin to think that maybe you are speaking a foreign language, but you know you aren’t, so what is the problem? Why are you causing pain in others? That is not your intent. You go over your letters and your conversations. They seem clear to you. What is going on?

Maybe you identify with this scenario and have your own hornet’s nest of good intentions, maybe not. This is my story today. This is what is happening. My effort to draw personal boundaries has alienated some loving friends. I feel quite sad about this. I’ve done all I know to fix it and don’t blame anyone but myself. Time will lay it’s mossy blanket in a while.

The sun is shining cold on white today. It is a bright, crisp day that hurts my tired eyes. The gray of yesterday was a better fit. “Too bad, take what you get,” the Oracle of Life says to me. I don’t answer back. I just keep breathing.

I’m thinking about an island somewhere in the south pacific where this drama is not happening and my eyes are not burning from lack of sleep. “It will all work out,’ says the Oracle, ‘this is only one page in the Book of Life and it happens to lots of people. You are not unique.”

“Good,’ I say, ‘that’s good to remember.”

deep memory days

Have you ever had times when you feel a life-time of painful memories sweeping down around you, enveloping you, not letting you go; memories that spread their awesome distortions on the today of where you are but cannot claim being there? These are the memories of things wrongfully done either to you or by you, that have woven their woeful song deeply into your name. You may feel it somewhere around your heart, but it’s not about your heart; it’s physical as well as emotional, but not organic. It’s about feeling trapped in the old songs with their voices—loud in the head—fueled by something in the present—words or deeds that layer themselves upon each other until the deepest pain is reached and you are just a mass of deep purple hurt. Sometimes it happens fast and you’re down for the count. Other times distinction between today and all the yesterdays melts slowly downward like an ice cream cone…all over your hands. These are times that I struggle to stay oriented and call upon God as the Ground of My Being for help. They are also times when, as an aging person, I feel tired of the effort and just want it all to be over. (Don’t worry, I’m okay.)

This can be a form of post-traumatic stress disorder…what is now referred to as PTSD. It is that for me. The inclusion/exclusion experiences of the past several years since returning to church, have attached themselves to a number of earlier church experiences of abuse, as well as early personal experiences of betrayal. I am sensitized to this in many colorful ways. Now, thanks to thousands of veterans, survivors of military malevolence, we have an explanation for what happens to people when they can no longer tolerate painful memories that tend (like flash-fires), to blossom disproportionately without consent. For some of us with much simpler forms of this human condition, compassion and consideration is a good bit of first aid. I would like some of that please. And for dessert, I would like affirmation. One never outgrows the good affirmation can bring. It’s like yeast: makes the spirit rise and the soul feel loved. This quote from Gladys Bronwyn Stern is a favorite of mine: “Silent gratitude isn’t  much use to anyone.”  Ah…so very true for me.

I am cycling out of this gloom that I’ve been in this morning. It’s a given…I always do…eventually. But I never stop wondering why it has to be this way…so complicated and dense? Maybe it’s because we are always the same age inside? Human nature, I guess…we are all a little bit dumb and careless with each other. Me included.

I need to dance.

I feel better already. I hope I didn’t bring you down… 🙂

something on my mind

Last week, in an Oprah Winfrey interview we heard Lance Armstrong, the world-class Olympic cyclist confess to having used several performance enhancing drugs to achieve his string of seven Tour de France medals during the period 1999 to 2005. These medals were stripped from him late last year, and recently the Olympic bronze medal from the 2000 Sydney games as well. Lance is a proud man, a fighter—a winner at all costs sort of person. Oprah did a magnificent job of drawing him out from shadow to full light truth. She did this by offering him kind, compassionate support all the way home. He needed that and she, out of her storehouse of experiences, could give it. I don’t think she skipped a beat.

For two hours I watched and listened to two amazing persons reveal themselves to the world: one a fallen celebrity newly discovering his feet of clay, the other a celebrity interviewer/entrepreneur who has never hidden hers, even from herself. This is a distinction of importance as I look through the pages of my own book of life. I find identity in both areas and I am not at ease.

I am annoyed with Lance Armstrong, not for the doping, arrogant lying and power-driven will to win, win, win, but for the cancer mythology he helped to perpetuate through the LIVESTRONG theme of the foundation bearing his name. The foundation has done good work and raised millions of dollars for research, but it did that based on Armstrong’s own cancer experience turned into the thematic slogan: LIVESTRONG. Many thousands of people carried this message to heart—persons unlucky enough to have contracted the disease, were caretakers for them, or otherwise touched by the disease.

In 1996, Armstrong was diagnosed with late-stage, metastatic, testicular cancer that had spread to his abdomen, lungs and brain. He ignored the warning signs at the early, easily treatable stage of this cancer, common in men aged 15-35. Had his body not been as fit as it was, he may very well have been a statistic instead of a survivor of heroic proportions. LIVESTRONG worked for him because it was his personal modus operandi. People want and need heroes. He was a winner, so the slogan became a word to live by for many, but not for me. I survived cancer and didn’t have the strength to live strong for a very long time. I simply survived. It took many years to overcome the side effects of the treatment, some of them permanent.  I am still surviving. There is a 50/50 chance that my cancer will return at some point. I live with that daily. Is that living strong or living true?

The yellow LIVESTRONG wristband always turned me off. I didn’t know what it meant and still don’t. In the absence of broader knowledge of this disease, responsibility for outcome tends to shift to the sufferer. How does one live strong when the drugs that flow intravenously through the body every three weeks (or less) leave you chemically depressed, thin as a bone, bald as a bat, sick and wobbly as a toddler learning to walk? Does that mean soldiering on through, fighting on through, or what? Cancer is still incurable. Oncology speaks of remission these days, not cure. So, is remission the goal of living strong? Is that what is meant by “beating it?” I don’t know. We see the happy faces of cancer survivors in commercials and advertising. We don’t see the thousands of people permanently disfigured and/or impaired by the side effects of these chemical cocktails, nor do we understand that each recurrence of the disease further weakens the body’s ability to counter. We don’t see the epitaphs of those who apparently didn’t live strong enough to survive. We aren’t ready yet to admit that the war on cancer, started 40+ years ago by President Nixon, has not produced cure. Treatments are better and drugs are becoming smarter, but it is still treatment that will be deemed barbaric some hundred years or so in the future.

I would like to hear another interview where Armstrong takes responsibility for misleading the public into thinking a catchy jingle could make us all strong survivors. We aren’t. If he does this he will be a true leader and a strong advocate. Cancer is still a dark thief riding a dark horse in the darkest of nights for most of us.  Both my niece and my sister lived their cancer as best they could…some might say strong, but the endings were not pretty. After Adopted Daughter died of cancer, I found the yellow bracelet among her things. I recoiled at the sight of it and tossed it out. My loss was too great to even look at the talisman she thought would help her. If I had it today, I’d take a scissor and sever the LIVE from the STRONG. I’d throw out the STRONG and pin-up the LIVE in my studio to remind me of what surviving is all about, at least for me: living authentically, gracefully and joyously.

Postscript:

1) My personal cancer story, Dying to Live: My Cancer Odyssey, was written in 2007 and can be seen on my website: www.inheritanceproject-2.com – project 5.  2) Reports on Lance Armstrong, the foundation, the interview, other cancer survivor’s opinions can easily be found online. Your comments to this posting are welcome.

an unexpected sabbatical

I’ve been on something like an unexpected sabbatical since my last posting on this blog (June 13, 2012). My world has turned round and round, upside down, right side up and sideways. The sale of our Frank Lloyd Wright house took on shady tones and bogus proportions that finally were unacceptable to us. When asked to reduce the price to less than half its worth, it took us only a moment to flatly refuse in unison. We shifted gears, reclaimed the house and promptly put the smaller house—our downsize house—on the market instead.

July and August were full of heavy packing, lifting, and moving—box- by-box, carload-by-carload, all day, every day until Two Men and a Truck came for the furniture at the end of August. We were not just moving our living quarters; we were moving a studio as well. Despite having either sold or given away lots of things during our move to the smaller house on Audubon Road, the volume of stuff was staggering. I started the job with gusto mid July and ended with a torn meniscus in my knee shortly before the actual move. Since I had didn’t have a lot of experience with physical injury, I paid little attention. There was a job to do and a goal to be reached.

We were excited and full of hope at coming home and starting over. Thinking to put the past behind us, we planned to live in the spacious old house in a new way. We’d done a thoroughly beautiful renovation on it and lived there for seventeen years before moving to Audubon Road. It suited us in many ways, but there were some rooms that just never felt right to us, no matter what adjustments were made. We concluded that we’d been trying too hard to live there in a more formal FLW, prairie style. So the plan was to use the rooms in a different way…color outside the lines, so to speak. The most notable change was our decision to keep the 23 x 15 foot living room clear for large gatherings of friends and family, music and dance events to accommodate our current interests. We call it the ballroom. Here is a shot of the southwest corner of the room, showing the expanse of oak throughout and a great dance floor.

Once in the house, we felt an immediate sense of being at home…as though we’d been on assignment somewhere for four years and finally came home. It was glorious and it was fun. This was where we belonged, without doubt. The tenants we’d had were good people, but despite the arrangement we had made with them, they really had no investment in the place, so we had a lot to do in addition to the changes we needed to make for ourselves. The house spoke to us and we returned the greeting a hundred-fold, but my knee was steadily worsening and I was unable to dance. The big beautiful music/dance room stood waiting. With my oncology appointment looming (always a point of anxiety), I began a generalized worry pattern that pretty much centered on the idea that dancing was all over for me. I’d been too proud of my ability, so I thought; my body was now showing its true colors.

Finally, at the insistence of my very good friend, whose dancing days made her an expert on injured knees, hips and other parts, strategic to dancing health, I made an appointment with an orthopedic doctor. The MRI confirmed frayed meniscus in my left knee, a product of aging wear and tear, made worse by packing, schlepping and cleaning on hands and knees with relentless determination to leave the little house pristinely ready for the market. The doctor suggested surgery or physical therapy that would strengthen my quadriceps enough to relieve the pain.

I chose physical therapy and came home feeling hopeful enough to meet with my dance teacher for some gentle, stretching, body movement. It had been nearly three months; yet, under her direction, I was amazed at what I could still do. I was floating on cloud nine after she left. It was time for lunch…still floating,  I placed a piece of my favorite Middle Eastern lavash in the toaster while I went about searching for something in the pantry to go with it. (This lavash is very thin and needs only thirty seconds to heat.) While six feet away, standing on a stool in the pantry, something bright caught my eye: serious red flames shooting up from the charred lavash toward the wooden cabinet directly above. I told myself to stay calm and get to the toaster before alarm bells (or worse) went off. I got quickly down, protecting my knee, I lunged forward, jamming my left foot into the leg of the stool I’d been standing on and sustained a spiral break in my toe and an enormous hematoma. I hobbled to the toaster, unplugged it and carried it (still flaming) out to the yard, all the while telling myself I had not broken anything. The kitchen was smoky. Windows went up, the fire alarm got disabled and the pain increased; reason returned: I had broken a left toe, a very sore left foot and a damaged left meniscus. Agony! Bad luck! Misery! No dancing for me now, for sure! My glass was not half-empty…more like nearly empty.

Ice, ice and more ice. Ibuprofen. Homeopathic Arnica and Symphytum. It was two weeks before I could wear anything but a “glamorous” orthopedic post-op shoe and four weeks before I could manage a shoe with a big cutout on the side. I was limping along with a cane, feeling awkward and immensely unlucky to say the least. The doctor said it could take three months to properly heal. After six weeks, with the help of my cut-out shoe, I started physical therapy. Four weeks later, my quadriceps were strong and I was back! No surgery required.

In the midst of all this came Thanksgiving with all its hustle, bustle, worry and scurry—our first big dining event in the ballroom. Thankfully, it was a great success. Five days after Thanksgiving Day I had a strange sore throat and cough. The next day was my six-month oncology appointment (never a fun trip). My lab tests were very good, so I didn’t think much about the sore throat, since it seemed to be improving. The following day was my last physical therapy session. I was unusually tired and low on energy with muscles more sore than usual. The day after came with chills, fever, gas, bloating and overwhelming flu-like tiredness. It was the first of December and I rallied to take the granddaughters to the town’s Frosty Fest pageant. It’s total fun to be with kids at Christmas. We had a great time…Santa, reindeer, cotton candy, hot chocolate…joie de vivre!

The next day my illness began to slowly return, but my youngest granddaughter, Miss Pink’s, birthday party was scheduled for that afternoon at the dreadful house of grown-up horrors called, Chuck-e Cheese’s. We had to be there. J and I soldiered through the noise, the din and the obnoxious urging to be happy, happy, happy; aren’t we all so happy today??? By the time it was all over and done with, and we were driving home to peace and sanity, illness overtook me. We had to pull into a parking lot; I sat on the curb, shaking with chills and gastric distress for fifteen minutes while my body decided which way it was going to go, up or down. Once home, I went to bed and prayed for recovery. Many weeks of illness ensued, making many return visits that simply would not stop. Since my blood work had been good, I could set aside my habitual fear of illness being cancer returning in cloak and dagger fashion. Nonetheless, I was really sick for weeks and not able to stay well for more than a few days at a time. My doctor suggested an immune strengthening regiment of elderberry, astragalus, and two homeopathic medicines to be taken regularly for four weeks. I am starting my third week of this regimen and feeling quite disposed to continuing until the robins and blue birds return and this unseasonable Midwest weather pattern gives way to proper spring days. We’ve set up a bird bath and feeder to encourage them back into our daily life.

During the course of the injuries and ensuing illness stretching into January, I’d lost my raison d’être as an artist. Only dancing made any sense to me. I watched many dance films to stay connected to this. Last week I looked at the computer and heard writing and visual art calling me to return to them as equal partners with dance. I don’t know exactly what it was that brought me back; I think it best to let go of so much knowing anyway. I’m back in my house, looking to the future—not as a younger woman would do, but as a woman in her seventh decade with a lot of history, a 50/50 chance of cancer returning one day, and a mind that processes time differently than I did in my fifties and sixties. I am at yet another point of transition and coming to understand that life is all about transitions. Nothing is permanent. Only now is here. Today I am glad to be writing again, composing visual art, dancing, and by grace, moving forward.

art then / art now

I need to reorganize the house I’ve been living in for the past four years!

In 2008, we moved from a beautiful Frank Lloyd Wright house to a small, unassuming, 1960s tri-level with joyous expectations of becoming part of a particular church community in the neighborhood. Shortly after moving the housing market fell, leaving our FLW house without a great many qualified buyers. At the same time, we entered into what became a long, painfully drawn out series of backwards and forwards efforts to become part of this church. Toward the end of that first year my sister died and I was heartbroken. Then partway into the second year our dear friend Bettina discovered her cancer was on the rise and she moved in with us. We were a chosen family of three working for inclusivity until the end of May, when the church body proclaimed that it could not, would not make the leap to inclusiveness. We were stuck with two mortgages, taxes, and much deep bruising around the heart and brain. By January of 2010, when it was clear that her cancer was unstoppable, we turned our home into a hospice dwelling encompassing all of us. Then, when she died on March 6, 2010, my world fell apart for a very long time.

We lived here in this little house for four years with shattered dreams and could not make it a home. Now we are on the brink of finally selling our FLW house, albeit at an enormously reduced price. It is time to move into this unassuming tri-level and make room for the next chapter of our lives. Making room means re-organizing and that requires cleaning out and thinning down my files…all those things I’ve carried around thinking that they will be needed at some future time. As I am in my seventh decade and climbing, I think the future is now.

The process of reducing files requires opening and looking through them. I could only manage four drawers without mental/emotional exhaustion overtaking me as I walked back into my life, folder after folder, making decisions that sometimes brought unwanted memories to the surface. In one of those folders I found correspondence with a friend from the past—an artist from Armenia whom I’d met a decade earlier when Judy and I were visiting friends on the east coast. It was a period of my life when I was doing a lot of genealogy in an effort to understand my heritage as a building block for knowing myself. This period culminated in an exhibition I produced involving nine Armenian/American artists.

Inheritance: art and images beyond a silenced genocide. (The electronic version is hosted by the Center for Holocaust & Genocide Studies, University of Minnesota.)

Curious about this old friend and somewhat lonely for people of my own ethnic temperament, I looked him up online and found he was here in this country, with a partner of six years and still a practicing artist. I sent out a Facebook friend request, Twittered and emailed him at the art center address where he teaches ceramics. About a week later I received an email from him that made me happy; he is a person like myself in so many ways, and one of the few remaining links to my own heritage. When he asked so plaintively why I got out of the art world, I had to give a brief history of the past decade since I’d last spoken with him. Haven’t had a response to this yet…must be busy…

His question brings me front and center, having been asked by others from time to time: Why did you get out of the art world…why would you? Revulsion is one answer. Cancer’s clearer vision is another. I am a professional artist gone AWOL. There is an article in the New York Times—How the Art Market Thrives on Inequality—that simply renews my sense of revulsion. I recommend reading this for all art lovers. It’s educational.

I will always be an artist. That is my temperament and training and it filters into everything I do. Some have questioned why I pour so much of that artfulness into the church I attend when they see so little reason for doing so. My answer is: Why not? The Church having separated itself—to its own detriment—from visual art at the time of the Reformation, is in desperate need of beauty for soul’s nourishment. I can do it and it gives me pleasure rather than pain. When I hear that someone’s experience of the sacred has been enhanced by a bit of beauty I’ve had a hand in providing, I am blessed, because I’m acting in accordance with having been Called by Name back in those gloomy days of cancer treatment and recovery. Clearer vision, that’s the reason.

Art created for one’s own pleasure is personal and edifying, but in a broader, societal sense, it is one hand clapping. Art created out of one’s own spirit and shared freely with others is two hands clapping—communication, pleasure and edification all around. As many of my friends and acquaintances know, I’m big on movement, hands, feet, whatever. Clapping counts.

Now I go to my weekly dance class where I can be art as well as make it…where I can be beauty as well as behold it.

This is the street where I live now…

Mondays not Sundays

In the 1970s I was a member of an intentional Christian community north of Chicago. It was a mixed bag of positive and negative experiences in those days. Living in Community was a total immersion experience with shared purse and decision-making. The positives could reach beyond imagining and the negatives could inflict deep wounds that only confession and forgiveness and the passage of time could heal.

I met my life partner there. We left together at the end of a very dark time, re-entering a world that had changed in a myriad of ways. Time passed…30 years to be precise…with the best aspects of community living ingrained within us. Although we prospered in many ways, we could not even remotely re-assemble the best of those times. These were years of growing and learning the ways of the world. We did well.

In 2006 our world fell to pieces when I was diagnosed with non-Hodgekin lymphoma. I survived the attack of the cancer beast, fell in love with God again, and a year later found myself  returning to the church, which was and still is, in change-process. Change within the church, or any large organization for that matter, is slow and tedious with its own litany of hits, runs and errors. It has been both a painful and an enlightening experience, as many of my previous postings can clearly show. Writing this, remembering the events of the past half decade, I feel battle-scarred and tired. I am an artist, a seeker and a visionary. Moving forward within the church structure is a slow and burdensome process. I do not naturally travel slowly. Sometimes I wonder why I am still here…in church…any church at all for that matter? Good question.

Yesterday was another Sunday survived. Today is Monday, the day of healing—the day I get to dance in a spaciously beautiful room—with beautiful Jane, who is my teacher and friend. We come together in this place, with its strips of colored sunlight streaking across the old wood floor,  and a ceiling that dwarfs us by its height. We come with our body spirits as is—a come as you are party of two. Through the various InterPlay forms, and her years of expertise and training, we shake it out, sing it out, shout it out and dance it out. We dance for ourselves, for each other, and with each other in familiar forms. We even create new ones. We are clay on the potter’s wheel, laundry on the line, birds unfolding, flags unfurling. We are movement in time and place—each of us doing our best, reaching for our personal sense of wholeness within and without. And when we achieve it…when it happens…we are altogether amazed and elated. We are uplifted—a Lazarus moment in time that requires a bit of exclamation and a roll or two on the floor!

And that is why I find myself so looking forward to Mondays with Jane, when my body-spirit regains its equilibrium and I am One with all of Creation.