Every now and again an old friend or acquaintance will come to mind and I wonder what they are doing now…where they are. Sometimes I Google to find out. Maybe it’s a way of measuring the length of my days in years? Some time ago I found an artist friend through Facebook that I’d known a dozen years ago and wrote about the encounter in my June 13, 2012 post, art then / art now. A few weeks ago I reconnected with another friend through Facebook that I’d known in the glorious, early 1970s (when some of us were still young and others, not yet born). That was great fun.
Last week…in a more serious mood…I looked for a person I’d known six years ago in a cancer support group. I’d been thinking about him for a while. I wanted to thank him for all the invaluable help he’d given me—help that changed the course of my recovery for the better. We both have a form of incurable lymphoma that can capriciously become active or lie inactive at will. I’ve been in remission for five years and wanted to know how he was. I Googled him, and found his name in connection with a cancer support group’s phone listing. I called and was delighted to find that he is a survivor and continuing with his cancer support mission. It felt good to send a message of thanks and affirmation. Many cancer survivors like to pay it forward, including me.
A few days ago, I thought about two persons I’d known from my days in the art world. Despite that association ending badly, I Googled them hoping to find an avenue for constructive reconnection. To my dismay, I found pages and pages of articles linking them and the gallery to fraudulent misappropriation of federal grant funds from 2004-10. I was shocked and wanted to know what had happened. I began reading the articles. When I got to the FBI Press Release dated December 14, 2011— what I considered the most reliable—I stopped to take stock. My partner and I had known these women for many years. Until my last show in their gallery in 2002, we had considered them close friends. The exhibition—Inheritance: art and images beyond a silenced genocide—was a production showcasing Armenian-American artists and the Armenian people. It was nearly a year’s work and a major undertaking for me as artist, curator and producer.
A few weeks before the exhibition opened, our tax preparer urged us to ask the two women for an accounting of the money contributions that had been donated toward funding the show. Asking for an accounting touched off a firestorm of angry accusations toward us, and threats to cancel the show, which put me in a state of ongoing anxiety for the two months of the show’s run in the gallery. Naively, we assumed the contributions that came in from our contacts were earmarked and set aside. We had virtually no understanding of non-profit gallery operations at that time, and no idea of the potential threat this request to the gallery directors would be.
Historically, the gallery had been an important outreach to the community and an alternative for rising artists to the traditional, market-based gallery system. I do not know how the current situation happened, when, or why it happened. I only know my own experience in what would be my last show there. It had been my labor of love. We were fortunate to receive in-kind donations that included a four-color catalog, marketing/advertising help and a marvelous array of catered, Armenian food and drink for the opening reception.
Everything was in order, but the enmity that ensued—the demands and constant threats to close the show at a moment’s notice made a basket case of me for most of that time. Trust was broken on all sides. What had been friendship for many years became a battleground and a living hell. I didn’t understand it then and mourn the emptiness of it all now. I am sorry to have lost the friendship we had with these two very interesting women, but in light of this new information I am thankful to be on this side of current events…thankful…but still sad to have all that collateral damage sitting in the roadway of my past. I cannot think of it without great regret for relational carelessness and wasted time.
Looking back, I remember the government shutdowns of arts funding hitting the small enterprises hardest. I am not excusing anyone or anything, merely seeing two sides of what has become the vanishing coin of the power-elite. I have compassion for these two people, regardless of circumstances, because I knew them at their sincere best…maybe not as deeply as I’d thought, but well enough. We are all looking for our way…our path in life. I am sorry about detours and sink holes and broken pavement. I do not know where these women are today, or how they are coping. There is nothing online past December 2011, so I assume the allegations are still pending. I am a bit of an idealist. I love resolution and reconciliation. I would like that with these two, but I dare not dream of it. I don’t really know how to swim with the bigger fish and my skin has not yet hardened. ~¿
Waiting
aging, not old
Tags: Belonging, fear, Life, loss, Personal Growth, Time, Transitions
I hear people, mostly women in their 50s, say they are old. I am astounded by this. We live in a youth culture. I want to tell them about the stages of life…that they are not old, but merely transitioning from the first half of life to the second, which if done mind fully is so much richer than the first. Ages 40-60 are sociologically classified as mid-life; 60 and beyond as elder life. I certainly don’t want to denigrate anyone’s experience, but the truth is that aging is a process we are engaged in from birth onward. It is not the same as old. Further, the term old has been replaced with elder, which can have a nice ring to it. (So much nicer than senior citizen!)
We grow older, not old—older. I am pleased to say that very often the process includes a bit of wisdom—the older we get the more experience we have. If applied thoughtfully, experience can produce at least a modicum of wisdom. Each decade has its own hallmarks—highs and lows—but the trajectory for all living things is conception, birth, bloom, fade, demise. I propose that the latter 50s and 60s of a person’s life is a fading, not into demise, but into new bloom—or second bloom, if you will. (Sociologically, we may have the baby-boomers to thank for this.)
Now in my early 70’s and feeling more rather than less, I propose the 70s may very well be the doorstep of maturity or the beginning of insight. Whether it is or isn’t, my experience is an awakening to the precariousness of time. I see endings now rather than distance and time becomes precious. I think back to my mother at this age…her joys, sorrows and pervading loneliness. I did not understand any of it. I was 40…building my life and blithely ministering to my own needs. I could not understand her because I was not developmentally able to do so, yet I could have tried. I could have listened. I did not. I regret, and am shamed by this egocentrism.