Archive for the 'Reflections' Category

24
Sep
13

Dancer Down: an unexpected seclusion

The morning of August 7 was unusually bright and sunny. A series of personally difficult life challenges had come to resolution and I was filled with immeasurable joy. Driving to my dance session that morning, I felt glad to be alive. Normally an experience like this would have made me eager to dance, but I had a vacation coming up in two days and things to do in preparation. I didn’t really want to go, but the body can get rather lazy. Like the tin man in the Wizard of Oz, it can come to a rusty impasse. I didn’t want that, so I drove on and arrived—all smiles—without a hint of the disinclination I really felt.

Jane, my teacher/partner, was not her customary, cheerful, and optimistic self. Something was off. Normally we will match each other in body-spirit whether we start out that way or not, so I didn’t think to question, nor did I state the truth of my disinclination. Undaunted by the disparity, I was confident we would find each other eventually, and so we began as we often do, moving in our separate spheres, performing for each other. Midway through the hour Jane put on the album I’d brought with me: Picture, by Night Ark (a quartet of musicians known for their fusion of instrumental jazz with tradition Armenian tonalities). Little did I know: I was about to meet my Waterloo.

I felt this hypnotic, seductive rhythm as a call of connection to the culture of my ancestors, hidden deep within my DNA, and my joy quickly increased to excitement. Although far beyond my improvisational abilities, I threw myself into moving interpretively to this hauntingly beautiful music, without the willing consent of my aging hips, and in a manner I think may have looked something like my little diagram drawing.

Within minutes, there was an audible a POP sound, followed by white-hot, searing pain! I knew something had torn inside. Groaning, IThe fatal twist 2 crumpled to the floor, where I stayed motionless and incoherent for several minutes, as the shock of the experience overtook reason. Time lost dimension and I was swimming in painful slow motion—a curious 4th dimension of my customary reality.

Having spent much of her life as a professional dancer with a collection of her own dancer’s injuries, Jane sprang into action, as I laid there in stunned disbelief. Prone to responsible problem solving and somewhat stunned herself, she tried her hardest to get me to consent to an ambulance ride to the nearest hospital emergency room. There was no way I was going to see the inside of one of those buses, before my time was up! Absolutely not! I took ibuprofen and arnica and continued to try… unsuccessfully… to reach my partner, Judy, by phone as well as text message.

As an InterPlay leader of 20+ years, with a talent for cleverly overcoming roadblocks, she reassessed the situation and applied InterPlay’s signature principal of incrementality to moving things along. She would suggest a move and I would try it. Little by little, I was miraculously on my side, then sitting up, then standing on one leg, and then leaning on the back of a chair. Using the chair as a walker, with Jane cheerleading, I hobbled to the elevator, out the door and into the car. Within 10 minutes, Judy arrived on the scene and drove me to an immediate care facility, where we learned that no bones had broken, but the pop had indeed been a tear, requiring weeks of rest, ice, pain medication, and a walker, along with patient acceptance of the situation (a challenge for me).

A stunned state of shock persisted for the first week, deepening as Judy and I felt our way around and through the daily realities of a crippling injury—a disability of unknown durWalker after immediate careation—to a person of a certain age. This was something I couldn’t accommodate without anticipating a measure of public chastisement. Had I been a bit too pleased with myself for having a fairly agile, old body? Perhaps I’d pushed it beyond reason…colored too far outside the box? Won’t people think I fell and broke my hip, like many older persons before me? But I knew I hadn’t crash-fallen; Jane taught me a dancer’s fall and that’s the way I went down.  Still, the idea haunted me and I didn’t want the humiliation of being thought of as a silly old lady playing at dance in her old age. The truth is: if I could have been anything in my life beside a visual artist, it would have been a dancer. To dance now, even past reasonable age, has been life affirming. All things considered I was even pretty good at it…for an old lady. 🙂

It wasn’t until a follow-up orthopedic appointment 10 days later that I learned my pop had been an avulsion, i.e., a tearing of the Sartorius tendon where it attaches to the iliac spine area of the pelvis. (The Sartorius is the longest muscle in the body, resolving in a tendon attaching to the pelvis.) This accounted for both the bone and tendon pain I was experiencing. No bone chips, no fractures—just a painful separation between the tendon and its point of insertion. I was assured that it was a common athletic injury—particularly in football—one that occurs when the muscle is stretched beyond its capacity. Well, I clearly did that, without doubt…but football? That was worthy of a laugh out loud!

Laughing or crying, in 3 weeks I would begin a course of physical therapy that would help me regain 95% of my former function. My inquiring and restless mind finally had an understanding of what had happened and a course of action. Between the relief I felt with the diagnosis and prognosis—along with the homeopathic care I knew would hasten healing—I returned home ready to welcome this secluded time out as an unexpected gift.

The story continues…

25
May
13

doodling like a rolling stone

Bob Dylan, the poet-singer-songwriter of the Baby Boom generation, in his 1965 hit, Like a Rolling Stone, asks plaintively:

How does it feel how does it feelto be without a home… like a complete unknown… like a rolling stone?

Between each of the song’s four verses, comes this haunting refrain—pointed, probing and challenging. The song references societal expectations of the 1950s and 60s, which may no longer carry quite the sting it did then; nonetheless, the refrain lives on timelessly in the Boomer Generation—invincible in 1960—not so much in 2013.

We are aging…sometimes gracefully, sometimes awkwardly. How does it feel and what does it all mean as we roll along toward the once, unthinkable senior citizen horizon? I am not a true Boomer, just an honorary one due to some life events that put me back a few years, but I have a good Boomer friend who wrote an essay for this blog about her experience of aging and transitioning. It comes complete with a graphic she calls a doodle.

April 15, 2013 • How it feels and what it means…

There’s a little ditty we used to sing as kids: Head and shoulder, knees and toes, knees and toes (repeat) while touching each of these body parts as a form of exercise. Now, in my senior years, it seems that there is a problem with each of these (maybe not my toes, but my feet). Memory is fading, can’t hook my bra in back due to bursitis and tendonitis in my shoulder, old knee injuries have been flaring up, and plantar fasciitis causes pain when I walk.  I was feeling old. As a former dancer, these physical losses take on a lot of significance.

Our church made plans to offer a grief recovery workshop starting late March by a specialist in that field and I was considering if I should participate to process my grief around aging. However, it was a ten-week commitment with homework assignments and I questioned whether I had the where-with-all to do the work.

I learned of Sybil MacBeth’s book, Praying in Color, from a friend and presented a short segment on February 23 during a weekend Lenten retreat at my church, where we all tried our hand at this form of prayer. I decided to use this method of spontaneous doodling with words and color as a process of discernment, but it became clear that I wouldn’t get my answer in 20 minutes.

Basically it sat there in my journal until a women’s retreat I attended in Santa Fe the following month. During a movement ritual I needed to sit down because my knee was complaining and I began feeling sorry for myself again because I could no longer move as freely as I once did. As we went around the circle sharing why we were there, a huge realization dawned on me. Seven years ago on March 1, 2006 I had a hysterectomy because various tests and scans pointed to probable ovarian cancer. As it turned out I did not have cancer, but if I had, I would not even be at this retreat because I would no longer be alive, as life expectancy with ovarian cancer usually does not exceed five years.

The next two nights I continued with the doodle, noting that I could be dead, but I wasn’t and asking why. The second night brought it to a near completion, but only after participating in a craft project with the group. In the afternoon we had walked out on the high-desert land to each collect sticks or a piece of weathered wood to create a “Spirit Doll.” There was an array of beads, feathers, ribbon, fabric, glue, wire…you name it…available to dress our wood into something that resembled…well, some sort of doll, I guess. I immediately went into a familiar insecurity, comparing myself to everyone else who would create something profound, more meaningful, and just plain better than anything I could do. So, with a slightly rebellious attitude, I decided I would create an alter ego. Using part of a pink boa around her torso, pink feathers in her hair, which was actually sagebrush, and sparkly netting for a skirt I called her “my lady of the night” who stayed awake nights for reasons different than my insomnia-ridden ones. With a few added doo-dads she was sufficiently garish and I felt satisfied.

Anne's Doodle Design

Back in my room the doodle grew. Of course there was much more happening in my thoughts and emotions than appear on the page but it is a good summary. And what I also realized was that I had created something meaningful in the doll; that in her flamboyant attire she represented not what I had set out to create but rather a celebration of life! I finally had a clear answer to the question I had posed several weeks earlier. My conclusion: Rather than grieve my losses, I need to celebrate the life that is still before me.

01
Apr
13

looking backward / going forward

Every now and again an old friend or acquaintance will come to mind and I wonder what they are doing now…where they are. Sometimes I Google to find out. Maybe it’s a way of measuring the length of my days in years? Some time ago I found an artist friend through Facebook that I’d known a dozen years ago and wrote about the encounter in my June 13, 2012 post, art then / art now. A few weeks ago I reconnected with another friend through Facebook that I’d known in the glorious, early 1970s (when some of us were still young and others, not yet born). That was great fun.

Last week…in a more serious mood…I looked for a person I’d known six years ago in a cancer support group. I’d been thinking about him for a while. I wanted to thank him for all the invaluable help he’d given me—help that changed the course of my recovery for the better. We both have a form of incurable lymphoma that can capriciously become active or lie inactive at will. I’ve been in remission for five years and wanted to know how he was. I Googled him, and found his name in connection with a cancer support group’s phone listing. I called and was delighted to find that he is a survivor and continuing with his cancer support mission. It felt good to send a message of thanks and affirmation. Many cancer survivors like to pay it forward, including me.

A few days ago, I thought about two persons I’d known from my days in the art world.  Despite that association ending badly, I Googled them hoping to find an avenue for constructive reconnection. To my dismay, I found pages and pages of articles linking them and the gallery to fraudulent misappropriation of federal grant funds from 2004-10. I was shocked and wanted to know what had happened. I began reading the articles. When I got to the FBI Press Release dated December 14, 2011 what I considered the most reliable—I stopped to take stock. My partner and I had known these women for many years. Until my last show in their gallery in 2002, we had considered them close friends. The exhibition—Inheritance: art and images beyond a silenced genocide—was a production showcasing Armenian-American artists and the Armenian people. It was nearly a year’s work and a major undertaking for me as artist, curator and producer.

A few weeks before the exhibition opened, our tax preparer urged us to ask the two women for an accounting of the money contributions that had been donated toward funding the show. Asking for an accounting touched off a firestorm of angry accusations toward us, and threats to cancel the show, which put me in a state of ongoing anxiety for the two months of the show’s run in the gallery. Naively, we assumed the contributions that came in from our contacts were earmarked and set aside. We had virtually no understanding of non-profit gallery operations at that time, and no idea of the potential threat this request to the gallery directors would be.

Historically, the gallery had been an important outreach to the community and an alternative for rising artists to the traditional, market-based gallery system. I do not know how the current situation happened, when, or why it happened. I only know my own experience in what would be my last show there. It had been my labor of love. We were fortunate to receive in-kind donations that included a four-color catalog, marketing/advertising help and a marvelous array of catered, Armenian food and drink for the opening reception.

Everything was in order, but the enmity that ensued—the demands and constant threats to close the show at a moment’s notice made a basket case of me for most of that time. Trust was broken on all sides. What had been friendship for many years became a battleground and a living hell. I didn’t understand it then and mourn the emptiness of it all now. I am sorry to have lost the friendship we had with these two very interesting women, but in light of this new information I am thankful to be on this side of current events…thankful…but still sad to have all that collateral damage sitting in the roadway of my past. I cannot think of it without great regret for relational carelessness and wasted time.

Looking back, I remember the government shutdowns of arts funding hitting the small enterprises hardest. I am not excusing anyone or anything, merely seeing two sides of what has become the vanishing coin of the power-Study in time–3x2.5elite. I have compassion for these two people, regardless of circumstances, because I knew them at their sincere best…maybe not as deeply as I’d thought, but well enough. We are all looking for our way…our path in life. I am sorry about detours and sink holes and broken pavement. I do not know where these women are today, or how they are coping. There is nothing online past December 2011, so I assume the allegations are still pending. I am a bit of an idealist. I love resolution and reconciliation. I would like that with these two, but I dare not dream of it. I don’t really know how to swim with the bigger fish and my skin has not yet hardened. ~¿

Waiting

01
Feb
13

hornet’s nest of good intentions

Imagine a situation that is simple enough if kept to the surface and dealt with as is, but it has legs, roots that go deep into the ground of your being. It could be work oriented, family oriented, school or church oriented…something that is private. You’ve inadvertently lost control of that privacy and now there are people trying to help who don’t know the whole story. You don’t want those roots made public, but with each attempt from loved ones to help, comfort, aid…the roots become more and more exposed, igniting fire-stories in your memory bank that cause more distress, not less. You try to keep it simple…to say more will be overwhelming for everyone…you try to graciously say just enough, but not so much that the exposed roots cause you, or anyone else pain. Finally the effort becomes muddled and confusing between yourself and those with loving intentions. You begin to think that maybe you are speaking a foreign language, but you know you aren’t, so what is the problem? Why are you causing pain in others? That is not your intent. You go over your letters and your conversations. They seem clear to you. What is going on?

Type Embellishments_H 36pt_white.

Maybe you identify with this scenario and have your own hornet’s nest of good intentions, maybe not. This is my story today. This is what is happening. My effort to draw personal boundaries has alienated some loving friends. I feel quite sad about this. I’ve done all I know to fix it and don’t blame anyone but myself. Time will lay it’s mossy blanket in a while.

The sun is shining cold on white today. It is a bright, crisp day that hurts my tired eyes. The gray of yesterday was a better fit. “Too bad, take what you get,” the Oracle of Life says to me. I don’t answer back. I just keep breathing.

I’m thinking about an island somewhere in the south pacific where this drama is not happening and my eyes are not burning from lack of sleep. “It will all work out,’ says the Oracle, ‘this is only one page in the Book of Life and it happens to lots of people. You are not unique.

“Good,’ I say, ‘that’s good to remember.”

31
Jan
13

deep memory days

Have you ever had times when you feel a life-time of painful memories sweeping down around you, enveloping you, not letting you go; memories that spread their awesome distortions on the today of where you are but cannot claim being there? These are the memories of things wrongfully done either to you or by you, that have woven their woeful song deeply into your name. You may feel it somewhere around your heart, but it’s not about your heart; it’s physical as well as emotional, but not organic. It’s about feeling trapped in the old songs with their voices—loud in the head—fueled by something in the present—words or deeds that layer themselves upon each other until the deepest pain is reached and you are just a mass of deep purple hurt. Sometimes it happens fast and you’re down for the count. Other times distinction between today and all the yesterdays melts slowly downward like an ice cream cone…all over your hands. These are times that I struggle to stay oriented and call upon God as the Ground of My Being for help. They are also times when, as an aging person, I feel tired of the effort and just want it all to be over. (Don’t worry, I’m okay.)

This can be a form of post-traumatic stress disorder…what is now referred to as PTSD. It is that for me. The inclusion/exclusion experiences of the past several years since returning to church, have attached themselves to a number of earlier church experiences of abuse, as well as early personal experiences of betrayal. I am sensitized to this in many colorful ways. Now, thanks to thousands of veterans, survivors of military malevolence, we have an explanation for what happens to people when they can no longer tolerate painful memories that tend (like flash-fires), to blossom disproportionately without consent. For some of us with much simpler forms of this human condition, compassion and consideration is a good bit of first aid. I would like some of that please. And for dessert, I would like affirmation. One never outgrows the good affirmation can bring. It’s like yeast: makes the spirit rise and the soul feel loved. This quote from Gladys Bronwyn Stern is a favorite of mine: “Silent gratitude isn’t  much use to anyone.”  Ah…so very true for me.

I am cycling out of this gloom that I’ve been in this morning. It’s a given…I always do…eventually. But I never stop wondering why it has to be this way…so complicated and dense? Maybe it’s because we are always the same age inside? Human nature, I guess…we are all a little bit dumb and careless with each other. Me included.

I need to dance.

I feel better already. I hope I didn’t bring you down… 🙂

21
Jan
13

an unexpected sabbatical

I’ve been on something like an unexpected sabbatical since my last posting on this blog (June 13, 2012). My world has turned round and round, upside down, right side up and sideways. The sale of our Frank Lloyd Wright house took on shady tones and bogus proportions that finally were unacceptable to us. When asked to reduce the price to less than half its worth, it took us only a moment to flatly refuse in unison. We shifted gears, reclaimed the house and promptly put the smaller house—our downsize house—on the market instead.

July and August were full of heavy packing, lifting, and moving—box- by-box, carload-by-carload, all day, every day until Two Men and a Truck came for the furniture at the end of August. We were not just moving our living quarters; we were moving a studio as well. Despite having either sold or given away lots of things during our move to the smaller house on Audubon Road, the volume of stuff was staggering. I started the job with gusto mid July and ended with a torn meniscus in my knee shortly before the actual move. Since I had didn’t have a lot of experience with physical injury, I paid little attention. There was a job to do and a goal to be reached.

We were excited and full of hope at coming home and starting over. Thinking to put the past behind us, we planned to live in the spacious old house in a new way. Ballroom 2We’d done a thoroughly beautiful renovation on it and lived there for seventeen years before moving to Audubon Road. It suited us in many ways, but there were some rooms that just never felt right to us, no matter what adjustments were made. We concluded that we’d been trying too hard to live there in a more formal FLW, prairie style. So the plan was to use the rooms in a different way…color outside the lines, so to speak. The most notable change was our decision to keep the 23 x 15 foot living room clear for large gatherings of friends and family, music and dance events to accommodate our current interests. We call it the ballroom. Here is a shot of the southwest corner of the room, showing the expanse of oak throughout and a great dance floor.

Once in the house, we felt an immediate sense of being at home…as though we’d been on assignment somewhere for four years and finally came home. It was glorious and it was fun. This was where we belonged, without doubt. The tenants we’d had were good people, but despite the arrangement we had made with them, they really had no investment in the place, so we had a lot to do in addition to the changes we needed to make for ourselves. The house spoke to us and we returned the greeting a hundred-fold, but my knee was steadily worsening and I was unable to dance. The big beautiful music/dance room stood waiting. With my oncology appointment looming (always a point of anxiety), I began a generalized worry pattern that pretty much centered on the idea that dancing was all over for me. I’d been too proud of my ability, so I thought; my body was now showing its true colors.

Finally, at the insistence of my very good friend, whose dancing days made her an expert on injured knees, hips and other parts, strategic to dancing health, I made an appointment with an orthopedic doctor. The MRI confirmed frayed meniscus in my left knee, a product of aging wear and tear, made worse by packing, schlepping and cleaning on hands and knees with relentless determination to leave the little house pristinely ready for the market. The doctor suggested surgery or physical therapy that would strengthen my quadriceps enough to relieve the pain.

I chose physical therapy and came home feeling hopeful enough to meet with my dance teacher for some gentle, stretching, body movement. It had been nearly three months; yet, under her direction, I was amazed at what I could still do. I was floating on cloud nine after she left. It was time for lunch…still floating,  I placed a piece of my favorite Middle Eastern lavash in the toaster while I went about searching for something in the pantry to go with it. (This lavash is very thin and needs only thirty seconds to heat.) While six feet away, standing on a stool in the pantry, something bright caught my eye: serious red flames shooting up from the charred lavash toward the wooden cabinet directly above. I told myself to stay calm and get to the toaster before alarm bells (or worse) went off. I got quickly down, protecting my knee, I lunged forward, jamming my left foot into the leg of the stool I’d been standing on and sustained a spiral break in my toe and an enormous hematoma. I hobbled to the toaster, unplugged it and carried it (still flaming) out to the yard, all the while telling myself I had not broken anything. The kitchen was smoky. Windows went up, the fire alarm got disabled and the pain increased; reason returned: I had broken a left toe, a very sore left foot and a damaged left meniscus. Agony! Bad luck! Misery! No dancing for me now, for sure! My glass was not half-empty…more like nearly empty.

Ice, ice and more ice. Ibuprofen. Homeopathic Arnica and Symphytum. It was two weeks before I could wear anything but a “glamorous” orthopedic post-op shoe and four weeks before I could manage a shoe with a big cutout on the side. I was limping along with a cane, feeling awkward and immensely unlucky to say the least. The doctor said it could take three months to properly heal. After six weeks, with the help of my cut-out shoe, I started physical therapy. Four weeks later, my quadriceps were strong and I was back! No surgery required.

In the midst of all this came Thanksgiving with all its hustle, bustle, worry and scurry—our first big dining event in the ballroom. Thankfully, it was a great success. Five days after Thanksgiving Day I had a strange sore throat and cough. The next day was my six-month oncology appointment (never a fun trip). My lab tests were very good, so I didn’t think much about the sore throat, since it seemed to be improving. The following day was my last physical therapy session. I was unusually tired and low on energy with muscles more sore than usual. The day after came with chills, fever, gas, bloating and overwhelming flu-like tiredness. It was the first of December and I rallied to take the granddaughters to the town’s Frosty Fest pageant. It’s total fun to be with kids at Christmas. We had a great time…Santa, reindeer, cotton candy, hot chocolate…joie de vivre!Frosty Fest Composite

The next day my illness began to slowly return, but my youngest granddaughter, Miss Pink’s, birthday party was scheduled for that afternoon at the dreadful house of grown-up horrors called, Chuck-e Cheese’s. We had to be there. J and I soldiered through the noise, the din and the obnoxious urging to be happy, happy, happy; aren’t we all so happy today??? By the time it was all over and done with, and we were driving home to peace and sanity, illness overtook me. We had to pull into a parking lot; I sat on the curb, shaking with chills and gastric distress for fifteen minutes while my body decided which way it was going to go, up or down. Once home, I went to bed and prayed for recovery. Many weeks of illness ensued, making many return visits that simply would not stop. Since my blood work had been good, I could set aside my habitual fear of illness being cancer returning in cloak and dagger fashion. Nonetheless, I was really sick for weeks and not able to stay well for more than a few days at a time. My doctor suggested an immune strengthening regiment of elderberry, astragalus, and two homeopathic medicines to be taken regularly for four weeks. I am starting my third week of this regimen and feeling quite disposed to continuing until the robins and blue birds return and this unseasonable Midwest weather pattern gives way to proper spring days. We’ve set up a bird bath and feeder to encourage them back into our daily life.

During the course of the injuries and ensuing illness stretching into January, Incarnation Body and SoulI’d lost my raison d’être as an artist. Only dancing made any sense to me. I watched many dance films to stay connected to this. Last week I looked at the computer and heard writing and visual art calling me to return to them as equal partners with dance. I don’t know exactly what it was that brought me back; I think it best to let go of so much knowing anyway. I’m back in my house, looking to the future—not as a younger woman would do, but as a woman in her seventh decade with a lot of history, a 50/50 chance of cancer returning one day, and a mind that processes time differently than I did in my fifties and sixties. I am at yet another point of transition and coming to understand that life is all about transitions. Nothing is permanent. Only now is here. Today I am glad to be writing again, composing visual art, dancing, and by grace, moving forward.

31
Jan
12

moving on

There are times in life when our wheels stop turning and we seem to be parked in neutral. This is one of those times for me. When I started this blog I had a mission, something to say personally about human rights, the church, social justice and a host of other timely issues. I’m not sure what happened, but I seem to be in some sort of transition state and that is why I have written so little for the past many months.

In our society, we over 65 are not expected to be transitioning to anything beyond retirement, traveling and grandparent-hood. This is a popular misconception that isolates and insulates this strata of society. It brings to mind the baby-boom mistrust of anyone over 30, popularized (I think) by that  iconic figure of the 60s and early 70s, Bob Dylan. Of course we all crossed that line of demarcation (including Bobby Dylan)  and are living to tell the tale. The slogan, popularized by John Lennon was: Make Love Not War. It was not an original concept, but certainly a controversial one, just as it was long ago in the messianic teachings of the preacher from Galilee. He (probably) wasn’t talking about sex  as we were, but the concept is still significantly similar. We had a dream of a just society. Some retain the  dream and work toward that goal—others internalized it in private ways and seek personal wholeness in a cracked and broken world.

I am both of those, but having shed about as much blood over  issues concerning LGBTQ inclusion in our churches as I can manage to lose, I feel like I need a transfusion. The past several months, since achieving my own legalized civil union, have been a time of painful waiting, watching and listening. I find myself walking the bridge that leads to what used to be termed, the golden years. I do not find them all that golden, except for the wisdom that experience brings. Dylan Thomas, in his poem, Do not go gentle into that good night, urges us to “…rage against the dying of the light.” I am raging about something, yet it eludes me. It is not about getting old or dying. It is about wisdom having its voice; it’s about aging as evolution, not devolution. The longer we live, the more we know—the more we can share. The more we share—the healthier, inter-generationally, our society can be…but this is not the world I live in.

There are many things that separate me from others. I am not building my life. I am bringing it to a close. I didn’t say end…I said close, as in the final act of a play, which can go on for quite a while depending on the play-write. I am transitioning from survival mode to sacred. And I know this because when I dance I am all at once whole in body and soul. My spirit rejoices and God is alive within me…there are no barriers of creed or doctrine to stumble over. It is all elation. I am a bird flying the current, just knowing and being. I waited all my life for this. It is a gift from the great giver of life. I have no idea how to put this together with the artist and writer hats I wear and don’t know what comes next. I am waiting…in the best of times floating in the current…in the worst of times doing battle with the fear and anxiety of failure and loss.

This Richard Rohr meditation—Living a Whole Life—came today from the Center for Action and Contemplation, January 31, 2012:

Bill Plotkin speaks of the first half of life as doing our “survival dance.” The second half of life can then become our “sacred dance.” Most of us never get beyond our survival dance to ask the deep concerns of the soul (we are too busy “saving” our souls, whatever that means!) to do our sacred dance. Money, status symbols, group identity, and security are of limited value, but to the soul they are a distraction, and finally they become the very problem itself.

However, don’t misunderstand me—and I say this as strongly as I can—you’ve got to go through this first half of life and its concerns. Every level of growth builds on the previous ones. The principle is this: transcendence means including the previous stages. Then you can see the limited—but real—value of the early stages. But you will no longer put too much energy into just looking good, making money, feeling secure at all costs, and making sure you are right and others are wrong. That’s what it means to grow up, and Christians need to grow up just like everybody else.

Richard Rohr

Adapted from Loving the Two Halves of Life: The Further Journey




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