A Most Magical Christmas is an adaptation of the original story written for me long ago by Korin Heinz. As with all Armenian stories, this one was…
and was not…
Once upon a time, there was a little girl named Melineh, who lived with her parents, her sister and her brother in a big house. Melineh liked to pretend and play imaginary, magical games, especially at Christmastime. Starting the day after Thanksgiving, and right up to Christmas, she listened to The Cinnamon Bear on the radio and imagined herself right inside the story.
She was happy except for one thing: she dearly wanted a pet—not just any pet—a warm, furry kitten all her own to love and hug. She asked her mom and dad for a kitten many times, but the answer was always no, because they thought animals should always be outside—not inside the house. Then one day, after thinking it over carefully, Melineh’s father came home with a small, tabby kitten that he found near where he worked.
“Look what I found, Melineh,’ he said, ‘He begged me to bring him home, so I did.”
Melineh, filled with joy, held out her arms and begged her mom, “Can I keep him… please?”
“Well… if you will promise to take care of him and not let him scratch the furniture, then we will try it for a little while,” Mom said, rather reluctantly.
Melineh named her new kitty, Buttons. She fed him every morning before school and in the afternoons when she came home. She brushed and played with Buttons and sometimes even put doll clothes on him. At night, Buttons slept on her bed in a tight curl of fur. Melineh was happier than she’d ever been in her whole life!
A few weeks later, just before Christmas, Melineh came home from school to play with Buttons, but couldn’t find him. She called and called and looked in every nook and cranny, but could not find him. “Mom,” she asked plaintively, “Where’s Buttons? Have you seen him?”
Mom looked away and said quickly, “Oh, he must have run away.”
Melineh wailed helplessly, “No, that’s not possible! You know where he is!” Inconsolable, she cried for days. There was nothing she could do but wait, hope and dream.
Then, on Christmas Eve, while Melineh was making make paper chain garlands for the tree with her sister, she heard a faint scratching noise at the back door: scritch, scratch. “I wonder what that is,” she thought, and got up to look outside in the fading afternoon light. At first she saw nothing and was about to close the door when she heard a tiny mew from under the porch. Melineh bent down and saw something dark and furry; “No, it couldn’t be,” she thought, but there, rubbing against her hand was Buttons, back from wherever he had been!
Melineh brought her precious tabby kitty inside and gave him some food. Buttons, once again in Melineh’s loving arms, purred happily. This was the very best gift ever—for sure!
Buttons lived with Melineh and her family for many years, bringing warmth and fun into the big old house in the city. When Melineh grew up she had lots more cats, but she never forgot that wonderful Christmas when Buttons found his way back home.
And, of course…they lived happily ever after…
Visual images in public domain from:
karenswhimey.com and clipartpal.com
art then / art now
Tags: Art, arts, Belonging, Cancer, frank lloyd wright, Friendship, Joy, Life, Membership, Personal Growth, Transitions
I need to reorganize the house I’ve been living in for the past four years!
We lived here in this little house for four years with shattered dreams and could not make it a home. Now we are on the brink of finally selling our FLW house, albeit at an enormously reduced price. It is time to move into this unassuming tri-level and make room for the next chapter of our lives. Making room means re-organizing and that requires cleaning out and thinning down my files…all those things I’ve carried around thinking that they will be needed at some future time. As I am in my seventh decade and climbing, I think the future is now.
The process of reducing files requires opening and looking through them. I could only manage four drawers without mental/emotional exhaustion overtaking me as I walked back into my life, folder after folder, making decisions that sometimes brought unwanted memories to the surface. In one of those folders I found correspondence with a friend from the past—an artist from Armenia whom I’d met a decade earlier when Judy and I were visiting friends on the east coast. It was a period of my life when I was doing a lot of genealogy in an effort to understand my heritage as a building block for knowing myself. This period culminated in an exhibition I produced involving nine Armenian/American artists.
Inheritance: art and images beyond a silenced genocide. (The electronic version is hosted by the Center for Holocaust & Genocide Studies, University of Minnesota.)
Curious about this old friend and somewhat lonely for people of my own ethnic temperament, I looked him up online and found he was here in this country, with a partner of six years and still a practicing artist. I sent out a Facebook friend request, Twittered and emailed him at the art center address where he teaches ceramics. About a week later I received an email from him that made me happy; he is a person like myself in so many ways, and one of the few remaining links to my own heritage. When he asked so plaintively why I got out of the art world, I had to give a brief history of the past decade since I’d last spoken with him. Haven’t had a response to this yet…must be busy…
His question brings me front and center, having been asked by others from time to time: Why did you get out of the art world…why would you? Revulsion is one answer. Cancer’s clearer vision is another. I am a professional artist gone AWOL. There is an article in the New York Times—How the Art Market Thrives on Inequality—that simply renews my sense of revulsion. I recommend reading this for all art lovers. It’s educational.
I will always be an artist. That is my temperament and training and it filters into everything I do. Some have questioned why I pour so much of that artfulness into the church I attend when they see so little reason for doing so. My answer is: Why not? The Church having separated itself—to its own detriment—from visual art at the time of the Reformation, is in desperate need of beauty for soul’s nourishment. I can do it and it gives me pleasure rather than pain. When I hear that someone’s experience of the sacred has been enhanced by a bit of beauty I’ve had a hand in providing, I am blessed, because I’m acting in accordance with having been Called by Name back in those gloomy days of cancer treatment and recovery. Clearer vision, that’s the reason.
Art created for one’s own pleasure is personal and edifying, but in a broader, societal sense, it is one hand clapping. Art created out of one’s own spirit and shared freely with others is two hands clapping—communication, pleasure and edification all around. As many of my friends and acquaintances know, I’m big on movement, hands, feet, whatever. Clapping counts.
Now I go to my weekly dance class where I can be art
as well as make it…where I can be beauty as well as behold it.
This is the street where I live now…